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"The imagery evoked a dreamy futuristic metropolis out of Blade Runner, but as the pace quickened and the soundtrack throbbed ever louder, it segued into heady images of Hollywood red-carpet awards ceremonies, the Rio carnival and Las Vegas showgirl acts. These are, perhaps, among the select venues where a girl can carry off such raucous Cavalli-isms as a trained hourglass leather dress, cut and decorated like a motocross biker’s jacket. Or a sweeping black Cruella De Vil mink coat with a giant white eagle flapping across the back, worn over a barely there mermaid gown, blown together on a wing and a prayer with the help of myriad black sequins the size of licorice candies.

The Cavalli girl clearly exists on a plane far removed from common humanity, but there was a giddily seductive let-them-eat-cake bravado to the designer’s madness" - Hamish Bowles (Vogue)