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”Silhouettes were graphic and intense in a way that echoed the volumes of skate-wear in more sartorial lines; “micro-macro,” he called them—exaggerated as if made to be seen through a screen. Textures were hyper-tactile in that mesmeric way that a phone cover in faux crocodile or neon fuzz makes the brain want to reach out and touch it. And accessories had the quaint and sculptural quality about them that makes them memorable and Insta-worthy, like an out-of-place-object in an unlikely setting.” - Anders Christian Madsen (Vogue)