'"I wanted something austere," said Nicolas Ghesquière, "but with a bit of Spanish drama. It's quite cinematographic, an idea of film noir, like Simone Signoret in Les Diaboliques—but it's really me
exploring the DNA of the house, with my sci-fi things going on with the plastics and latex." The result: an extraordinary synthesis of rigorous line and shiny, high-tech surfaces illuminated at necks and wrists by
the sparkling opulence of traditional jewelry. A different parure of necklace and bracelets adorned every outfit—34 uniquely breathtaking configurations of crystal, faux gems, and pearls, some of them archive copies, others new." - Sarah Mower (Vogue)